Life's A Pitcher...

...with a collection of curve balls nastier than Hogan's goat.

Back on November 9, I wrote about my Writer's Quandary: should my next mystery novel be My Mother The Murderer, or should it be The Most Horrific Botched Surgical Case In History? Or should I give attention to the treasure I'd recently acquired, unpublished manuscripts of Brun Campbell, the real-life Ragtime Kid?

Well, I'd figure it all out once I got past the major promotional work for A Perilous Conception.

Right.

The bookshop tour went very nicely, but a new term entered the equation. I'd intended APC as a standalone, no more stories featuring Detective Bernie Baumgartner and Dr. Colin Sanford. But somehow, the review copies went out proclaiming the book to be the first in the new Bernie Baumgartner series. Reviewers were enthusiastic - delighted, they said, that Bernie would have further adventures.

And then, at every stop on my tour, there were people who'd already read the book, and without exception, they wanted more Bernie. By the time I got back home, I'd decided if there really was that much interest, why not give it a try? It might be fun, and besides, why miss an opportunity to be compared to Sir Arthur Conan Doyle?

So I settled in, and tried to go to work. I say, tried. I felt exhausted, my mind like a sieve. Okay, I need a week or two to recover from the tour, right? Wrong. I got worse. Finally, I hauled myself off to my doctor, who told me I had Graves' Disease (an overactive thyroid gland), and got me treated. But he warned me it was going to be a slow recovery. I'd need to be patient.

I wasn't. I felt fatigued, did I? Really exhausted? Fine. Step it up a notch or two at the gym. Whereby I managed to strain both rotator cuffs, and got to add twice-weekly physical therapy to my routine.

Talk about frustration. No way could I get another mystery underway. I couldn't put two coherent thoughts together. Develop a plot or a character? Forget it. Literally.

But the Brun Campbell material was there, staring at me. The Kid's story of his life, first as an itinerant ragtime pianist more than 100 years ago, then as a fanatical ragtime revivalist in the 1940s, was captivating, but to say the least, it also was seriously disjointed. I needed to take about fifteen short to mid-length manuscripts, put them into some kind of reasonable order, and type them onto the hard drive. That I could do, an hour here, an hour and a half there.

Now, three months later, I'm feeling a whole lot better, but still have a way to go. Bernie and Colin sit in the back of my writing room, shaking their heads and rolling their eyes. Brun Campbell nods approvingly at the files on my computer. "Kid," I tell him, "I think it's getting to be time for me to give those guys a little attention."

He waves off my comment. "Hey, lemme tell you about the time, it was back in Sedalia, summer of '99, with weather almost as hot as my ragtime playin'. I'm sittin' around with Scott Joplin and his pal, Otis Saunders, over by the Maple Leaf Club, and here comes this gal, movin' double-time, the most attractive creature of the fair sex you ever set eyes on, and both her eyes got blood in them. Saunders, he takes one look at her..."

So, now what? I don't know. I really don't. I guess before I pick my teammates for the next year or two, I need to keep up with my conditioning, and get myself off the DL. Then it'll be time to grab a bat, walk up to the plate, and depending on what the pitcher throws me, either dump the ball into the right-field corner, or drive it to the left-field wall.

What A Character

Many mystery writers enjoy putting real-life people into their stories so they can torture and kill them. Ex-spouses are a favorite target, as are hateful former bosses. The authors who go after them tell their audiences gleefully how much zest that adds to the writing process, and how much more lively it makes their books.

 So, early on in my writing career, I decided to give it a try. Why not? I could think of two people I've known who seemed irremediably despicable, and I thought one of them might fit into the story I was then working on. He was lazy, mean-spirited, insincere, a bully and a liar. I figured he'd earned a little fictional what-for.

But then an odd thing happened. My story development ground to a halt, and - very unusual for me - I found myself trying to avoid writing. It was clearly on this character's account. He was sucking all the life out of my story, trying to push the plot in a direction favorable to him, never mind what the story wanted or needed. Very shortly, I decided this approach was not going to work for me. "Get out of my book, jerk," I barked. "You've pissed me off enough in the real world; I must have been crazy to let you into my book." So out he went, and the story promptly resumed its proper flow. My relationship with this guy had been close enough and sufficiently longstanding that his bad qualities had overwhelmed my capacity to see - or imagine - any other side of him.

It works better for me to start with people I don't know well, and about whom I have mixed feelings. That allows the characters to grow into rounded human beings, rather than stereotypes or comic-strip personas. Dr. Colin Sanford, in A Perilous Conception, is the result of such a process. His prototype was the most breathtaking example of a doctor who thought he was God I've ever encountered. Not an admirable trait, but over the years, since I wasn't close to him personally, I could watch him go through god-awful contortions to maintain his distorted self-image and overblown self-regard, and feel some sympathy for him. I was able to be an interested observer, trying to figure out just what did make Sammy run. And that gave Dr. Sanford plenty of space to develop into his own person. In the end, the only attributes that remained of his prototype were the monster ego and short stature.

Dr. Sanford's prototype has been dead a good while now, and you know what? I miss the crazy bastard. I'm not at all sure he's inspired his last character in one of my books.